Micro Music Laboratories, Ethnic Music Contents

Micro Music Laboratories^®

Ethnic Music

THE SYSTEMS OF ORDER IN MUSIC
	Tonality Differences in Understanding as Reflected by Language The Beginnings of Musical History The “New Sound” Composers of the 20th Century and the Range of Intervals Advancing to the Transcendental Play of Music Musical Insight into the Culture of Peoples Musical Relationships The Musical Path to Self-Knowlegde Homophony Polyphony The Counterpoint The Threefold Perfect Form of the Harmony Relations in Music

SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS
	The Image of Musical Beauty The Embodiments of Harmony Motivation and Responsibility of the Musician Reversal of the Reality of Creating Music Analysis of the Process of Creating Music Music Theory The Natural Potential of the True Artist Synthesis of the Artistic and Cultural Achievement of Music

THE SCIENCE OF MUSIC
	The Scope of the Science of Music The Inner Breath of Music The Function of the Inner Breath in Music The Scientific Aspect in Music The Perfect Musical Description The Twofold System of Music Analysis The Aspect of Humanities in Music The True Field of Science in Music The Sociology of Music The Ecology of Music The Physics of Music The Physiology of Music The Economy of Music Music Critique Dance in Music

MUSIC AND SPEECH
	Speech The Superiority of Music over the Language of Today Fundamental Research The Organ of Speech The Smithy of Thought Sovereignty over Bound and Free Creativity The Dimension of Creative Unfoldment Control over the World of Thinking Content and Form, Meaning and Structure The Share of the Senses of Perception in the Process of Gaining Knowledge The Language of Music How Our Ancestors Used Language Conclusions from the Ancient Records The Legacy of Our Ancestors The Task Set by Our Ancestors