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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 2
Conveying Truth in Music
I. The Object of Gaining Knowledge in Music
II. The Logic of the Musical Fields of Cognition
III. Immortal and Mortal Tradition of Music
IV. The Living Example of the Musical Cognition
of Truth
V. The Three Great Steps of the Musical Process of Gaining Knowledge
VI. The System of Intellectual Discussion
in Music
VII. Errors in Gaining
Knowledge in Music
VIII. Equivocation
IX. The Secret of Music
X. The Ultimate Goal of Gaining Knowledge in Music
XI. Indirect and Direct Gaining Knowledge
in Music
XII. The Path of Knowledge
and the Goal of Truth
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 Peter Huebner
 Founder of the
 Micro Music Laboratories
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PART   XI
 
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL COGNITION
 
         
   

INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

  1. Ancient Truths in Music
  2. The Golden Net of Knowledge in Music
  3. The Great Musical Sense of Achievement
  4. The Organs of Cognition in the Process of Gaining Knowledge in Music
  5. Necessity of the Neurophysiological Integration
  6. The Performance of the Self-Awareness in the Musical Process of Knowing
  7. The Self-Awareness Systematically Practises Self-Identification Ichbewußtseins
  8. Insight into the Basis of Music
  9. Fundamentals of Modern Musicology
  10. Limitations of Conventional Musical Education
  11. Increase of Performance of the Intellect in Music
  12. The Eigenfunction of the Intellect as the True Musical Creator
  13. The Journey to the Eternal Sources of Music
  14. The Highest Intellectual Achievement Possible to Man
  15. Authentic Successful Musicology
  16. The Music Listener at the Origin of All Creative Thinking
  17. Purposeful Development of Performance in the Field of our Neurophysiology
  18. The Musician and His Surroundings
  19. The True Organs of Finding Truth in Music


   
     
     
                               
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



 
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