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THEORETICAL FUNDAMENTALS

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

Abstaining from Limitation

Patience

Belief

Equanimity

Desire for Liberation

 

Peter Hübner
Founder of the
Micro Music Laboratories

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Theoretical Fundamentals
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PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
The Art of Discrimination in Music


   
 
Pri­mar­ily, the lis­tener must learn to dis­tin­guish be­tween the mu­si­cal sound-space and the motif-space, be­tween the motif-space and the se­quence-space, and be­tween the se­quence-space and the har­mony-space. So, he must learn to dis­tin­guish be­tween the rela­tive mu­si­cal force-fields.

 
Discrimination of the Musical Force-Fields
 
 
More­over, the lis­tener must learn to dis­tin­guish within the rela­tive mu­si­cal force-fields them­selves, which means within the mu­si­cal sound-space, within the motif-space, within the se­quence-space, and within the ab­so­lu­te mu­si­cal force-field of the har­mony. He must learn to dis­tin­guish within the lim­ited mu­si­cal worlds within space and time, and in the unlim­ited mu­si­cal world with­out space and time.

 
Discrimination within the Musical Force-Fields
 
 
The mu­sic lis­tener can achieve these two kinds of dis­crimi­na­tion only by per­ceiv­ing the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance right into the ab­so­lu­te mu­si­cal force-field of the har­mony. To this end, he must per­ceive the cos­mic vi­bra­tion in his tools of cog­ni­tion – in his mind, in his in­tel­lect, in his feel­ing and un­der­stand­ing, and in his sense of hear­ing.

 
Cultivation of the Musical Ability of Discrimination
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
 With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



           
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