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THEORETICAL FUNDAMENTALS

UNIVERSAL
MUSIC THEORY 2

VI.
THE SYSTEM OF
INTELLECTUAL DISCUSSION IN MUSIC

Musical Confrontation
of Feeling and
Understanding

The Nourishing Flood
of Pure Alertness in
the Harmony

The Musical Dispute

The Understanding
without the Perfect
Nourishment of Pure
Self-Awareness

The Process of
Intellectual Clarification
in Music

Feeling and
Understanding in the
World of the Harmony

The Absolute Sound-
Substance in Perfect
Function

The Musical Dispute
as the Most Free Kind
of Playful Diversity

Musical Depreciation

Structural Musical
Analysis of Values

Breaking Off the Cognitive Process in Music

Natural Structuring
of the Sound Pattern
in Music

 

Peter Hübner
Founder of the
Micro Music Laboratories

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Theoretical Fundamentals
.
 
PART   VI
     
 
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC
     
         
 
Breaking Off
the Cognitive Process in Music


   
 
In such a case, how­ever, the mu­si­cal gain­ing knowl­edge finds a sud­den end here, be­cause the proc­ess of cog­ni­zant condensation, which is in­dis­pen­sa­ble for gain­ing true mu­si­cal knowl­edge, is abruptly aban­doned.

 
Sounding Reversal of the Evolution of the Musical Process of Knowing
 
 
This fact cor­re­sponds to the case of a man who wants to make up his mind about some­thing and sits down to think it over in all quiet – but then im­me­di­ately switches on the TV only to watch the next best pro­gram be­ing broad­cast.

   
 
In all prob­abil­ity one can rule out that, by this ap­proach, he is able of pur­su­ing his per­sonal prob­lem with the nec­es­sary at­ten­tion.

   
 
In an analogous man­ner, all quest for a deeper mean­ing in mu­sic is brushed aside in the per­form­ance by sim­ple tonal pat­terns, or by the struc­tur­ing of sim­ple tonal pat­terns re­spec­tively – as, for ex­ample, pe­ri­odi­cal vi­bra­tions or pe­ri­odi­cally struc­tured rhythm – be­cause through the use of pe­ri­odi­cal tone pat­terns the at­ten­tion of the lis­tener is forci­bly shifted to his physi­ol­ogy.

 
The Listener Loses the Musical Cognitive Energie
 
 
This means, that the lis­tener’s en­tire cog­ni­tive proc­ess is forced into outer fields of lower mu­si­cal den­sity and of cor­re­spond­ingly in­fe­rior mu­si­cal or­der, and that the cog­ni­tive en­er­gies of the lis­tener are there­fore driven into the fields of lower sub­stan­tiality of mu­si­cal truth where they exhaust them­selves and weaken him al­most sys­tem­ati­cally.

   
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
 With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



           
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